For the most part, it looks real. But there are some obvious indicators—if it starts with a five, for instance. Or it might be an eight-digit serial number that indicates it was built on the th day of the year.
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Our customers want serial numbers to be formatted a certain way—like they used to be. For more information on Gibson's serial numbers, refer to our online guide here. Follow Gibson on Facebook and Twitter for guitar giveaways, new product launches, music news and much more! Battle of the Fans. Similar to bonnet knob but now has metal cap with "Volume" or "Tone" printed in black on the metal cap. There are two styles of this knob. First was used from mid to the end of , and have a shallow post hole as viewed from the side.
The and later relector knob has a deeper post hole the bottom of the post hole comes much closer to the metal cap. Also the reflector on these knobs can be silver or gold. Guitars with nickel or chrome hardware should have silver caps. Guitars with gold hardware should have gold caps though often the gold does wear off. Back painted gold or black, clear with numbers 1 to 10 visible thru knob: Note this knob was used primarily on Les Paul Custom models till the mid 's, when most other models got these knobs. Black knobs with white numbers 1 to Looks like "blackface" Fender amp knobs: Some models never got these knobs such as the and later Les Pauls.
Used mostly on the hollowbody and semi-hollow models, such as the ES series. Starting in mid, they switched to a much whiter and slightly rounder tip plastic switch tip. Phillips head screws started to be used at Gibson in the phillips head screw was original patented in Prior to , all screws should be slot style. Prior to , all metal hardware is either nickel or gold plated.
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Starting in , all hardware is either chrome or gold plated. Kluson Deluxe "tulip" tuners on a Les Paul. Note this is the "single ring, single line" variety used from to The "single ring" refers to the single ring around the plastic button. The "single line" refers to the single line of vertical text saying "Kluson Deluxe". Note the "inked on" serial number. During the 's and 's, Gibson used Kluson tuners almost exclusively. There were some exceptions; starting in you could special order Grover tuners instead of Klusons on many mid to upper line models including the Les Paul Custom and J models.
By , Gibson starting using tuners with the "Gibson Deluxe" name on them, but these were actually made by Kluson. More info on Kluson tuners can be found here. Again Phillips head screws started to be used at Gibson in the phillips head screw was original patented in Kluson Deluxe Tuner specs models including 3-on-a-plate and "tulip" designs: NO outside hole on the metal cover for the tuner worm shaft.
On the bottom side of the tuners stamped into the metal it says " PAT. Tulip plastic tuners knobs have a single ring around them. Still no outside hole in the metal tuner cover for the tuner worm shaft. The exterior lubrication holes can be either small or large. There is still now an outside hole in the metal tuner cover for the tuner worm shaft. These tuners are often called "No Line, Single Ring".
Single line "Kluson Deluxe" in a single vertical line on the ribbed metal tuner cover. The exterior lubrication holes can be either small or large though most are large hole. Two plastic rings on the plastic "tulip" tuner knob. These tuners are often called "Single Line, Double Ring". On keystone tuners, the buttons become have a slight green tint to them. These tuners are often called "Double Line, Double Ring". Now a double lined "Gibson Deluxe" replaces the double line "Kluson Deluxe".
The base plate for the tuners also has a more rounded look to it with the edges less defined. This happened because the dies that stamped out this part were wearing out. The original Kluson tuners company went out of business in so this style of tuner was not made again until the s when WD Guitar Products bought the Kluson name and reissued these tuners.
PegHead Markings other than Serial Numbers "seconds" Gibson often marked inferior quality guitars as "seconds", and sold them at a discount to dealers or employees. These markings were stamped into the wood on the back of the peghead. A "2" stamp is sometimes seen, designating a "second", which had some cosmetic flaw.
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If there is a serial number on the back of the peghead, the "2" is usually seen centered above or below it. Also sometimes stamped was "CULL", which is another designation of a second. Again, this stamp is seen on the back of the peghead.
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The worse Gibson reject is the "BGN" stamp, designating that instrument as a "bargin" guitar. These were only sold to employees at substantial discounts. This stamp is also seen on the back of the peghead. BGN instruments weren't acceptable to Gibson as sellable to the public.
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All second instruments are usually worth less than the same guitar that is not a second given condition as the same. BGN instruments are worth less than a second instrument because these tend to have some fairly serious cosmetic flaw. A war-time Southern Jumbo that was exported to Canada. This is sometimes stamped on the back of the peghead where a serial number would be on and later Gibsons.
Also it's sometimes seen on the top edge of the peghead. An EStc from the 's, as seen through the bass side "f" hole. Model Body Markings non-Artist models. After WW2, lower-line Gibson vintage instruments did not have a label to designate the model. Instead, Gibson just ink stamped the model number inside on hollow body instruments. If the instrument had "f" holes, this number was ink stamped in the bass side "f" hole on the inside back of the instrument.
If the instrument was a flat top guitar, this number was ink stamped inside the round soundhole on the inside back of the guitar.
Gibson Serial Numbers
Gibson Cases Mid to high-end model guitars during the 's and early 's used a black case with a red line around the top edge of the case. The inside is a deep maroon color.
Lower models used black rigid cardboard cases. About , mid to high end model started to use a tweed case with a 3 inch wide red "racing stripe" on the tweed. The inside of these cases are also usually a deep maroon. These tweed cases were used up to WW2. Post-WW2 , Gibson offered 3 different cases. The "low grade" case was an "alligator" softshell case, essentially made of rigid cardboard with a sparse brown lining.
This case also often had a hard thin brown plastic handle that cracked very easily. The "medium grade" case was a wooden case with a smooth brown outside and usually a sparse green lining though different color interiors are seen. The "best grade" known as the "faultless" case was the "California Girl" case, as it is known. This wooden case has a rich brown outside like a tanned California girl , and a very plush and rich pink inside. The handle on the medium and high grade cases was leather covered metal.
Note some models such as the Les Paul did not have a medium grade case available either got the 'gator case or the Cal Girl case.