It needn't have worried: But with top-quality Korean build and USA-conceived parts and pickups, the SEs remain affordable, highly giggable working guitars. Now, with around the corner, PRS has done a bit of a refresh with, for the first time, a Paul Reed Smith signature headstock logo over a vastly reduced SE motif, and various updates that make them, on paper at least, better than ever.
As ever, the SE models give the player some of the PRS experience in the general feel and look of the instruments. It took a while for the Custom 24 - PRS's original and still best-selling vision - to make it into the SE line, appearing in , four years after the first flat-fronted fret Custom had entered the range. Like the recently-reviewed Santana model, aside from the cosmetic logo change, we also have a pickup change.
PRS Guitars Unveils New 12222 Models
They look like conventional uncovered 'buckers, unlike the USA versions with their rectangular bobbins, and despite their different specs, they look identical to those on the Santana. Of course, the guitar's shape, conceived after the Santana shape, is well known as the PRS outline with its longer upper horn, less pinched waist and squarer, more Fender-like base.
Where the Santana is virtually natural all over, the Tobacco Sunburst finish here has a well-applied dark 'burst to its top with natural edge 'binding', of course , while the back, sides, neck back and headstock have a deep brown, slightly translucent colour. This means that instead of switching off one coil entirely, like a standard coil split, some of that dumped coil - approximately 10 per cent neck , 16 per cent bridge - remains in circuit.
This adds a little thickness and volume to the split sound and, in theory, a little hum-cancellation, too. It's a simple but effective change here that's been a feature of the USA guitars for some years now, and we believe it's the first time it's been used on an SE.
Aside from its very slightly 'long neck' strapped-on feel, compared with a Strat, for example, the fret Custom remains one of the most comfortable feel-at-home guitars money can buy. The volume control falls under your fingers, and the pickup switch and tone lie in the arc of your hand. The serial number will be located on the back of the headstock.
Introducing the A265 & A270 LTD
The year of manufacture for SE guitars can be determined by the letter prefix prior to the sequence of numbers that follow. Prefix Letter Year A09 A10 A11 The remaining digits indicate the sequential number of acoustics built to date. This sequence resents each year. The serial number of an speaker cabinet is located on the back of the cabinet in the upper right corner.
Appeared on the cover of the first color catalogue. Signature grade woods, semi-hollow body with cedar, redwood, or maple top, gold hardware, tune-o-matic bridge and stopbar tailpiece a few tremolo equipped guitars were made , signed and numbered, only made. This was the first fret PRS, featured new PRS stop-tail wrap over bridge , increased headstock angle, Dragon pickups, wide-fat neck and gold hardware.
Dragon inlay on fretboard made from pieces of abalone, turquoise, and mother of pearl, limited production run of Click here for a picture of a Dragon I. Three models introduced — Mahogany Cutaway ; mahogany back and sides, spruce top, rosewood fretboard, rosewood bridge and headstock veneer, natural finish, and optional gold hardware. Custom Cutaway ; 3-piece figured maple back and sides, spruce top, Brazilian rosewood fretboard, Brazilian rosewood bridge and headstock veneer, bird inlays, abalone rosette, and optional gold hardware. Rosewood Signature ; rosewood back and sides, master grade spruce top, Brazilian rosewood fretboard, Brazilian rosewood bridge and headstock veneer, bird inlays, abalone rosette, abalone trim around top, wooden marquetry backstrip, gold tuners and endpin, antiqued natural finish.
Only 11 prototypes ever made. Specs similar to the first Dragon , with a Dragon inlay on fretboard made from pieces of gold, coral, abalone, malachite, onyx, and mother of pearl, limited production run of Click here for a picture of a Dragon II. Specs similar to the first two Dragons. Dragon inlay on fretboard made from pieces of gold, red and green abalone, mother of pearl, mammoth ivory, and stone, limited production run of Click here for a picture of a Dragon III.
A fret version of the Standard , wide thin or wide fat neck profiles available, tremolo or stoptail options, birds optional. Replaced Signature Series , Inlaid headstock logo on rosewood headstock overlay, wide-fat neck, exceptional woods including artist grade maple top, abalone bird inlays, special thin finish, Volume and tone control with 5 way rotary, Artist Series pickups, semi-hollow, gold hardware and stop-tail options. Click here for a picture of an Artist Series I.
PRS's Korean-made guitars have never been so appealing
Click here for a picture of an Artist Series II. Click here for a picture of an Artist Series IV. Click here for a picture of an Artist Limited Edition. Only made, Artist Limited Edition -style with wide-fat or wide-thin neck, engraved gold abalone birds, fret ebony fretboard. Abalone bound headstock and fretboard.
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Click here for a picture of a 10th Anniversary Model. Specs similar to McCarty but with solid mahogany body. Only offered with stoptail bridge option. First signed and numbered. Click here for a picture of a Carlos Santana Model. Each guitar is individually made for a specific customer and comes with a letter from Paul Reed Smith documenting the history of the instrument.
Click here for a picture of a Rosewood Limited. Original carving by Floyd L. Scholz of golden eagle or bald eagle on a basswood body, fret curly maple neck, Brazilian rosewood fretboard, engraved solid gold bird inlays, McCarty electronics, gold hardware, and PRS Stoptail Bridge. Click here for a picture of a Golden Eagle Limited Edition.
Paul Reed Smith: Santana SE Guitar
Hollowbody — carved spruce top with carved mahogany back and sides. Hollowbody I — carved maple top with carved mahogany back and sides.
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Hollowbody II — carved maple top and back with mahogany sides. Piezo bridge pickup option added in Archtop — carved spruce top, carved mahogany back and sides.
PRS SE Custom 24 review
Archtop I — carved maple top with carved mahogany back and sides, Archtop II — carved maple top and back with mahogany sides and rosewood headstock veneer. Specs similar to Archtop II , but with artist grade figured maple top and back, Brazilian rosewood fretboard, abalone bird inlays with 14k gold outline.
Each guitar numbered on back of headstock. Click here for a picture of a McCarty Archtop Artist. Carved spruce top, carved artist grade maple back with carved mahogany sides.